My paintings sometimes polarise critics, some of whom have deemed my work misogynistic. However, my main source of inspiration are precisely women and the complex world we navigate. Things would be a lot more fun if we competed against each other a little less.

EXHIBITIONS, PUBLICATIONS & AWARDS


https://www.contemporaryartcuratormagazine.com/home-2/maria-aparici

2024 Digital Exhibitions.

Artscreentv . Digital exhibition at Montraux Art Gallery MAG November. Switzerland.

Artscreentv digital exhibition at Hyperion BAsel Messe during Art Basel 13 to 16 June. Switzerland.

Circle Foundation for the Arts .World Art Dubai . May 2 to 5

Gallerie Thuillier .Top Selection. Artista de Europa .26 to 9 of May. Paris.

Art Expo New York (digital exhibition with Circle Foundation) 4th to 8th of April.

Artscreentv “Winter Digital Exhibition”. February 5,to 25 on the platform Artsy.

LA ART SHOW .FEBRUARY 14th to 18th.(Curated by Francesco Saverio Russo).

2023

Circle Foundation Digital Exhibition .Miami Red Dot Art FAir. December 6-10

Effeito Arte Fondazione with Salvatore Russo at Washginton . Leaders.(November)

Art Screen Tv Digital Exhbition at Montreux Art Gallery (MAG) Switzereland (November)

Art Screen Tv Digital Exhibition at Florence Biennal Italy (October)


Art Screen TV Digital Exhibition at Art Basel, Switzerland (April)
Art Screen TV Digital Exhibition at World Art Dubai, Dubai (March)

2022
Galería Orfila, 50th Anniversary - solo show. Madrid, Spain (December)
Featured in “De qué va el arte contemporáneo” by Gregorio Vigil-Escalera
Featured in “Gran Anuario Internacional de Arte Contemporáneo 2021-2022” curated by Guto Ajayu
Featured in “Extinction Catalogue 2022”
4th Barcelona Biennale at MEAM of Barcelona, Spain (November)
Luxembourg Art Fair with Monat Gallery. Luxembourg (September)
Azur Gallery (formerly known as Magda Belloti). Madrid, Spain (23 June-23 July)
Art Screen TV Digital Exhibition with Artsy (June)

2021
FIABCN. Barcelona, Spain (December)
Aequilibrium, Arte Borgo, Rome, Italy (October-November)
Florence Biennale. Italy (October)
Art Screen TV Digital Exhibition at Art Basel, Switzerland (September)
Paris Art Fair with Monat Gallery. France (September)
It’s Liquid Barcelona, Barcelona Contemporary Fair, Spain (September)
Singulart Online Gallery, selected in the collection of Tracey Emin, (August)
Group Exhibition at Monat Gallery “Collector’s Vision”, Madrid, Spain (July-August)
MADS Milano, International Contemporary Exhibition “ROMANTICA - Shape of my Art”. Italy (April-May)
Contemporary Art Curator Magazine “Infinite Dreams - Artists of the Future”. Online exhibition (January-June)
ITSLIQUID International Art Fair: Contemporary Venice 2021 (January-February)
Sala Aires, Un Grito por el Arte. Córdoba, Spain (January-February)
Art Screen TV on Artsy. Online exhibition (December 2020-January 2021)

2020
Daimler Art Collection. Berlin, Germany (extended to 2021)
Galeria Orfila, We Amazing Women - solo show. Madrid, Spain (November)
Nominated as one the ‘50 Artists to Invest In’ and ‘Artists of the Year 2020’ by curators Salvatore & Francesco Russo
Winner of the Frida Kahlo Prize
Winner of the Boticelli Prize
Nominated as Artist of the Year 2020 by the Palm Art Award

2018
Universidad Rey Juan Carlos. Madrid, Spain (July)
Arte Ponte. Scope Basel, Switzerland (June)
Musa, Women's Essence, Pons Foundation. Madrid, Spain (April)

2017
Great Banyan Art, Around the World in 7 Days. Claridges Hotel, New Delhi, India (March)

2016
Barcelona International Art Fair. Museo Maritim, Barcelona, Spain (December)
Art and Science Award. Museo D’Arte E Scienza, Milan, Italy (May)
Great Banyan Art, Telling Tales. New Delhi, India (March)
The Jubilee Of The Mercy 2016, International Association Gallery Il Collezionista, Palace Maffei Marescotti (February) and the Vatican in the Palace of the Chancellery (March), Rome, Italy

2014
"Art In Mind", The Brick Lane Gallery. London, UK
http://www.mutantspace.com/maria-aparici-paintings-highly-emotive-pictures/

​2013
3 works selected to be exhibited on screens at Saatchi Gallery. London, UK

​2012
The Lloyd Gill Gallery. Weston-Super-Mare, UK

2011
Colorida Gallery. Lisbon, Portugal
Marzia Frozen Gallery, "Apocalypse Now". Berlin, Germany

2010
II Palacio Gipsoteca Libero Andreotti, "Art & Integration". Pescia, Italy

​2009
Showdown Winner at Saatchi Gallery. London, UK

​2008
Galería Orfila. Madrid, Spain

​2004
Arte Sevilla with Galería Victoria Hidalgo 'De Arte'. Madrid, Spain

2003
Chelsea Gallery. New York, USA

2002
Galería Crisolart. Barcelona, Spain
Ward-Nasse Gallery. New York, USA

2001
International Association of Women in the Arts. Madrid, Spain
Artexpo New York. New York, USA
Ward-Nasse Gallery. New York, USA
Arte Santander. Santander, Spain
"Artemanía". Madrid, Spain
Artexpo San Francisco. SF, CA, USA

2000
Montserrat Gallery. New York, USA
Gallery Design Consortium. Cincinnati, OH, USA
Ward-Nasse Gallery. New York, USA
Art Fair "InterArte". Valencia, Spain
Art Fair "Artemanía". Madrid, Spain


​SOLO EXHIBITIONS

2020
Galería Orfila. Madrid, Spain

2014
Galería Orfila. Madrid, Spain

2006
Galería Orfila. Madrid, Spain

2005
Galería Akka. Valencia, Spain

2004
Galería Orfila. Madrid, Spain
Galería Agurcho Iruretagoyena. Pamplona, Spain

2002
Galería Ofelia Aparici. Madrid, Spain

2001
Gallery Design Consortium. Cincinnati, OH, USA

2000
Cultural Center "Anabel Segura". Madrid, Spain
Studio Ágatha Ruiz de la Prada. Madrid, Spain
Galería de Arte Victoria Hidalgo. Madrid, Spain

1998
World Economic Forum, Hotel Belvédère. Davos, Switzerland

A number of her paintings are distributed amongst several international corporate art collections, such as the Daimler Collection, Investcorp – Bahrain, Healey & Baker – Madrid, and a number of private collectors.

My Portraits (Gregorio Vigil-Escalera)

Even if the sources of her artistic identity fall into the lines of the most tortured modernity – abstract expressionism, surrealism, neo-expressionism, etc. -, her portraits conform to a glimpsed and sketched definition in accordance with very precise esthetic values which are no less devastated in their candor and depth. If she does them like that, it is to subconsciously betray herself, observing herself like an unknown who makes sure not to close nor to reduce a figure but to open it, rummage in its spirit, in its memory, its feelings and in the emotional condition of its work. As Arshile Gorky said: “Dreams are the bristles of the artist’s brush”